(SOCAN) on behalf of Redwood Music Limited (PRS) International Rights Secured. (ASCAP), Eddie Durham Swing Music Publishing (ASCAP) administered by Bug, Ocheri Publishing Corp. I Don't Want to Set the World on Fire Written by Bennie Benjamin, Eddie Durham, Sol Marcus, Eddie Seiler Performed by The Ink Spots Copyright 1940 (Renewed) Bennie Benjamin Music Inc. Radio songs Galaxy News Radio Period songs Parker and Tim Scanlin of Brandracket, LLC. Music supervision and clearance was obtained by Christopher S. Due to licensing restrictions, the 1947 version of 'Easy Living' was used instead of the in-game 1937 version. The tracks included 'I Don't Want To Set The World on Fire', 'Anything Goes', 'Maybe', 'Way Back Home', 'Into Each Life Some Rain Must Fall', 'Crazy He Calls Me', 'Butcher Pete', 'Mighty Mighty Man', 'Easy Living', and 'A Wonderful Guy'. In 2019, Spacelab9 and Bethesda announced an official physical release of 10 tracks from Galaxy News Radio on a vinyl LP.

In an interview with Eurogamer, PR and marketing manager Pete Hines admitted that ' Maybe' was his favorite song from the soundtrack. Radio selections from the Fallout 3 Soundtrack It included five songs from the soundtrack: 'I Don't Want to Set the World on Fire,' 'Way Back Home' and 'Butcher Pete (Part 1),' as well as two tracks from the orchestra score by Inon Zur.Ĭoncept artist Adam Adamowicz found inspiration in the '50s art style, the incongruity and the charisma of 'the sort of Jet-Set Frank Sinatra/Rat Pack and a flying car with a martini in one hand and he's going to a big band concert.' The preorder bonus for Fallout 3 at GameStop included an official soundtrack CD made to look like a vinyl 45 record. In taking the orchestral approach into the post-apocalyptic wasteland, he admits some inspiration from Jerry Goldsmith, but 'sought to employ different techniques on the instruments they don't sound exactly like a traditional orchestra, but still retain the power of one.' Inon Zur wanted to ensure that the music was not too loopy, but seamless and interactive in response to the player's actions. These included everything from ambient cues from entering an area to high-intensity battle music. Composer Inon Zur was brought in to create the score for Fallout 'because I could give them the ambience and the weird decadence plus an almost low-fi sound, but also bring up some more dramatic, orchestral elements with it when needed.' The entire composition process took six months, ending with 60–70 minutes and around 40 tracks.

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